Sorcerer (film) - Wikipedia. For other films with similar name, see Sorcerer. Sorcerer is a 1. 97. American existentialthriller film directed and produced by William Friedkin and starring Roy Scheider, Bruno Cremer, Francisco Rabal, and Amidou. The second adaptation of Georges Arnaud's 1.
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French novel Le Salaire de la peur, it has been widely considered a remake of the first adaptation, the 1. The Wages of Fear. Its domestic (including rentals) and worldwide gross of $5. A considerable number of critics, as well as the director himself, attributed the film's commercial failure to its release at roughly the same time as Star Wars, which instantly became a pop- culture phenomenon.
He immediately executes the unassuming tenant with a silenced pistol and proceeds to casually walk out onto the square. Vignette #2: Jerusalem, Israel. After being surrounded by the military, they split up; two are killed and one apprehended. The only one who manages to escape is Kassem. The segment ends as he helplessly stares at his captured companion. Vignette #3: Paris, France. After meeting with the president of the Paris Stock Exchange, where he is accused of fraud, Victor is given 2.
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Victor meets his business partner, Pascal, and they quarrel; Victor insists that Pascal contact his father for assistance. Victor dines with his wife and her friend in a glamorous restaurant; he later receives a message from a butler that Pascal is waiting for him outside. When he learns that Pascal's father has refused to help, Victor is adamant that they try again. He walks his partner to a car, but Pascal shocks Victor by committing suicide.
Faced with impending doom, Victor leaves both his country and wife. Vignette #4: Elizabeth, New Jersey, USA. Back in their car, the gang members have a violent argument that causes Jackie Scanlon, the driver, to lose concentration and collide with a truck. Everyone is killed but Scanlon, who is badly wounded. The wounded priest turns out to be the brother of Carlo Ricci, a mafia leader who also controlled the flow of money in the church and now wants to kill Scanlon at all costs. Jackie meets with his friend Vinnie, who reveals his fate to him and finds him a suitable place to escape. Jackie has no choice but to agree.
Part II: Life in Porvenir. Its conditions provide a stark contrast to their previous lives. The village economy is heavily reliant on an American oil company. Kassem befriends a man called 'Marquez', presumably a Nazi veteran. They all live in extreme poverty and earn meager salaries. All want out, but their savings are inadequate for emigration. After some time, Nilo arrives in the village, raising suspicions.
In the meantime, an oil well over 2. Since the only available dynamite has been improperly stored in a remote depot, the nitroglycerin contained inside has become highly unstable; the faintest vibration could cause an explosion. With all other means ruled out, the only way to transport it is to use trucks. The company seeks four drivers to man two of the vehicles. Kassem, Victor, Jackie and 'Marquez' are offered the job, but they have to assemble the trucks using scrap parts. Shortly before their departure, Nilo kills and replaces 'Marquez', which angers Kassem. Part III: Journey.
Despite their differences, they are forced to co- operate. Eventually, only Jackie survives, and, towards the end, he struggles to keep sane, overwhelmed by hallucinations and flashbacks. When his truck's engine dies just two miles short of the destination, he is forced to carry the nitroglycerin on foot. Epilogue. As the two dance, Carlo Ricci's henchmen, along with his old friend Vinnie, emerge from a taxi outside. They walk into the bar, and, after a gravid pause, and the sound of a gunshot, the screen cuts to the end credits. Roy Scheider as Jackie Scanlon . Some time after his escape to Porvenir, local authorities proved he was using a forged ID; as compensation they are taking one third of his daily wages.
His appearance as an . Dobbs character in The Treasure of the Sierra Madre, with a . Screenwriter Walon Green described him as . He speaks French, English, and German. Throughout the film, he . Nilo is an enigmatic Mexican professional assassin, skilled in using firearms. His visit in Porvenir was meant to be a temporary one, as he was in transit; however, for reasons unknown he decided to stay there.
Despite having an occasion to star in a Hollywood movie, which was the actor's dream, Rabal was slightly disappointed with the movie's international scope and said: . He believes the explosion was caused by local terrorists. He is initially chosen as one of the four drivers.
As director William Friedkin went location scouting in Ecuador and researched the peculiar ornaments on cargo trucks he had seen there, he noticed there were names painted on them, which ranged from relatives to mythological references. First the director came up with the name Lazaro after Lazarus.
Then after some time struggling to think on another moniker, a listen to the Miles Davis album Sorcerer served as an inspiration to name the other truck, though the word was painted in French: . Friedkin then decided to change his working title. Ballbreaker for Sorcerer, which he described as . The fact that somebody can walk out of their front door and a hurricane can take them away, an earthquake or something falling through the roof. And the idea that we don. That's one of the themes of Sorcerer.
No matter how much you struggle, you get blown up. Additionally, their intention was to . The officer eventually does so, which to Victor means that he was . His wife, however, counters with an argument that . According to Friedkin, this phrase stands for . However, Steven Spielberg at that point had already made Close Encounters of the Third Kind, which presumably nullified the project.
Peter Biskind theorized that Friedkin had always seen Francis Ford Coppola as his competitor, so when Coppola headed to the Philippines to direct Apocalypse Now, Friedkin went to Latin America to shoot Sorcerer. Friedkin's intention was not to create a remake, but to direct a film using only the same basic outline with completely original protagonists. He also wanted the film to be . He felt that American audiences had very limited exposure to Clouzot's film. The director got to know Green in the 1. Sam Peckinpah's western The Wild Bunch.
Friedkin described Green as a multilingual person, fluently speaking French, Spanish, Italian, and German, as well as having . Prior to writing the script, Green expressed enthusiasm about the project and suggested Friedkin read Gabriel Garc. Friedkin described it as . The story outline was created by both Friedkin and Green, and the script was finished in four months. Friedkin utilized details from Murphy's stories and used them as an inspiration. The remaining members of the gang were .
Phil Mucci indicated a similarity in terms of the premise as a . Dobbs (played by Humphrey Bogart) from Huston's movie.
According to Claggett, who cites Friedkin, this was intentional. It was owned by the novelist Georges Arnaud. The Clouzot film is of iconic stature, but Clouzot didn't own the rights. The novelist Georges Arnaud, who wrote the original source material, Le Salaire de la peur, controlled them, and he had a longstanding feud with Clouzot. He was happy to sell the rights to us, but I felt I had to meet with Clouzot in Paris and get his blessing first.
Friedkin offered Clouzot a percentage of the film's shares, for which the French director was thankful. Scanlon's role was written specifically for Mc. Queen after Friedkin met him in person and he turned out to be very keen on the idea.
Mc. Queen loved the script, and even went as far as to say . Instead, he proposed that Mc. Graw become an associate producer or that a part be written for her in the film; however, Friedkin declined both his wishes, stating that . Despite Ventura's concerns about his English, he also initially approved Friedkin's proposal. Mastroianni was still interested but had problems related to his daughter's custody after his separation from Catherine Deneuve, which eventually made him decline the director's offer.? I can do that outside my house. They had previously worked on The French Connection together; however, they had lost contact after Friedkin.
Friedkin was so impressed with his performance in Claude Lelouch's La Vie, l'amour, la mort (released in 1. Spanish actor Francisco Rabal, however, was his . Scanlon's role was also offered to Clint Eastwood and Jack Nicholson, neither of whom was willing to travel to the Dominican Republic. Despite liking Cremer, Friedkin felt that this role would benefit from the presence of Jean- Paul Belmondo or Lino Ventura. The director stated Scheider at times was . He summarized the experience by saying the arduous production schedule and difficult conditions in the Dominican Republic were most likely the reasons behind their difficult relationship. According to Diane Kachmar, Friedkin believed that he inspired others to achieve great results, but Scheider did not favor such working conditions.
However, their relationship eventually . I was not out to make these guys heroes. I really don't believe in heroes. The best of people have a dark side and it's a constant struggle for the better side to survive and to thrive.
Scott Fitzgerald's novel The Great Gatsby served as an inspiration for him in all the movies he made, including Sorcerer. The director fulfilled his wish and was reportedly . In the film's pressbook Friedkin states that for him creating a film is multi- faceted experience: . There is the film you actually shoot. And there is the film that emerges with you in the editing room. However, after an hour the director ordered a second take, being adamant about the previous accident.
Dimitri praised Friedkin's craftmanship by saying that . The director recalls the sequence as seemingly .